Workshop with Agent Steven Malk of Writer's House - 3/22/05

Enjoy!

*** Verla has set the topic on channel #Kidlit to Workshop with Agent Steven Malk IN PROGRESS
Verla: Okay, everyone... tonight is an exciting night for all of us. Agent Steven Malk is here with us to share his knowledge and experience with us. Thank you for coming, Steve! (you may welcome him now)
owlsquill: Hi, Steve
dystar: hi Steve, welcome
katznjamme: hey, steve!
Goody2shoe: Welcome Steve!
JessicaSha: Hi Steve, thanks for coming!
Elaina: Welcome Steven
ErinShakes: Hey Steve!
Lynn: Hi Steve. Welcome
JoanPaquet: Greetings, welcome!
DebM: welcome, thanks for taking the time!
tgseale: Hello Steven
AnneMarieP: Hi Steve--glad you're here!
Agy: hey STeve!
JuliePgh: Welcome!
AlisonD: Welcome, Steve! Thanks for being here!
LisaAlbert: Hi, Steve. Whoop whoop
Jen: Welcome!
sadler4kid: Hi!
lesmuir: Hi, Steve!
HeatherBur: Hi Steve!
Sue: Hi!
Julia: Hi, Steve.
kdbrazil: hi steve
cassandra_: Hola!
Ruth: Hi, Steve
AlmaFuller: Hi Steve
StevenMalk: Hi everyone, thanks for having me.
LindaUrban: hello
SarahEliza: Hiya
Verla: tonight will be a very special workshop. Because of the high number of attendees, (we had 55 people in the chat room at one time) this will be a "moderated" session.
Verla: Here are the "rules"
Verla: Welcome to our Workshop. Tonight we will be using a special moderated session. You will not be able to talk in the chat room until it is your turn. When a PLUS sign (+) is by your name, or it changes color, it will be your turn to post your question
Verla: Please have your questions typed and ready to post. We will go in alphabetical order, with latecomers and people who didn't ask a question during their turn at the end. We'll fit as many questions in as we can before the end of the workshop.
Verla: Please do not ask personal questions about a manuscript you have sent or want to send to Steven Malk. Those questions should be asked privately, not during this workshop session. "Generic" questions of interest to everyone are fine to ask. Thank you
Verla: Okay... now let me tell you just a bit about Steve.
Verla: Steven Malk grew up around children's books. His grandmother opened one of the first children's bookstores in the world in Johannesburg, South Africa in 1952, and his parents owned the White Rabbit Children’s Books, which had locations in La Jolla and Costa Mesa.  Malk worked at the White Rabbit for six years, and developed the knowledge and instincts there that he still relies on today.
Verla: In 1998, Malk opened a West Coast office for Writers House, one of the largest literary agencies in the world. Some of the authors and illustrators Malk represents include Jon Scieszka, Lane Smith, Cynthia Rylant, Franny Billingsley, Karma Wilson, Elise Primavera, Marla Frazee, Jennifer Donnelly, Ken Oppel, Lisa Wheeler, Esme Raji Codell, Sonya Sones, Bruce Hale, Gris Grimly, and Melinda Long.
Verla: In addition, Writers House also represents bestselling and award-winning authors such as Sharon Creech, Laurie Halse Anderson, Christopher Paolini, Barbara Park, Andrew Clements, Neil Gaiman, Jack Gantos, Cynthia Voigt, and Robin McKinley.
Verla: You can find out more about Writers House at http://www.writershouse.com.
Verla: If you wish to submit to Steven Malk in the San Diego office, please address queries to:
Verla: Steven Malk
Verla: Writers House
Verla: 3368 Governor Drive, #224F
Verla: San Diego, CA 92122
Verla: Okay... we will now go to Moderated Session.
Verla: Remember, you will not be able to talk in the chat room until it is your turn. When a PLUS sign (+) is by your name, or it changes color, it will be your turn to post your question

Verla: Is there anything you want to say to start out with before we begin taking questions, Steve?
StevenMalk: Yes, please
Verla: (Let us know when you are ready for questions to begin, Steve)
StevenMalk: First of all, I want to thank Verla for setting this up.
Verla bows and smiles at Steve
Verla: It was my pleasure, Steve!
StevenMalk: It's great to be here doing a workshop again, and I really appreciate the time and energy that Verla puts into setting up these workshops and maintaining her website. It's a great service to the writing community.
StevenMalk: I also want to thank all of you for coming. I'll do my best to answer all of your questions.
StevenMalk: I actually made a list of "do's and dont's" that I thought might be helpful.
StevenMalk: If it's okay, I'll go ahead and post those now.
Verla: Great, Steve.
Verla: yes, please.
StevenMalk: First, for the do's...
StevenMalk: Take the time to write a personalized, concise, intelligent cover letter that establishes you as a professional who is serious about getting published. A good letter will also show that you’ve put a lot of time and thought into your work and into your decision about where to send it.
StevenMalk: Enclose a self-addressed stamped envelope with correct postage (at least 25% of submissions that we receive don’t include a SASE, even if the cover letter indicates otherwise).
StevenMalk: Demonstrate that you’ve done proper research into our agency, and me as an agent, specifically, by:
StevenMalk: Mentioning books/authors that we/I represent that you admire
StevenMalk: Spelling my name correctly (At least 30% of the people who submit to me spell my first and/or last name wrong)
StevenMalk: Sending query letters to the correct address
StevenMalk: Querying projects that are within the genres I represent
StevenMalk: A few more DO'S
StevenMalk: Tell me up-front whether or not you are querying other agents simultaneously (preferably not)
StevenMalk: Include relevant biographical information, but don’t make it the focus of your letter
StevenMalk: Mention some of your favorite books (not necessarily ones that I’ve worked on), or authors, and why they are your favorites.
StevenMalk: Spend time doing as much research as possible, including going to conferences, becoming active in SCBWI, joining a good critique group, and reading as much as you can.
StevenMalk: Now for some DONT'S...
StevenMalk: E-mail any attachments unless I specifically request that you submit your work to me via e-mail
StevenMalk: Call to check on a query’s status unless it’s been eight or more weeks since you submitted your work. You should also follow up via snail mail or email before calling.
StevenMalk: Query more than one agent at a company at one time.
StevenMalk: Query agents until you feel confident that your work is complete and as strong as it can be.
StevenMalk: Send me a query that’s an obvious form letter. For example, letters addressed “Dear Agent,” “To Whom It May Concern,” “Dear Sir/Madam,” or with my name handwritten in.
StevenMalk: Call to find out why we decided to pass on your work.
StevenMalk: Send multiple query letters in multiple envelopes. Rather, mention all of your projects in the same letter, but never pitch more than three projects at one time.
StevenMalk: I think that's about it for now. I hope that was helpful.
Verla: Thanks, Steve. That's a big help! (This will be posted later on my website, folks, so don't worry if you missed anything.) And now... one quick reminder of how this will go tonight and then you may start posting your questions. (If you have no question to ask, just say, "NONE." Thank you!)
StevenMalk: Thanks, and have a good night.
StevenMalk: Just kidding!
Verla: LOL Steve
Verla: Please have your questions typed and ready to post. We will go in alphabetical order, with latecomers and people who didn't ask a question during their turn at the end. We'll fit as many questions in as we can before the end of the workshop.
Agy: If someone has something you like but some of their other work your not so excited about, can they sell that on their own, would you be willing to negotiate contracts? Or is basically that fodder for the fields? Thanks in advance and it's nice to have you here!

Agy: And thank you VERLA!
StevenMalk: Hi Agy. It's good to see you again. It really depends on the situation. It's far preferable for an agent to represent everything that his/her client is doing. However, there are certain situations where this can work. Especially if the work that the agent isn't represent is educational writing or work-for-hire writing.
StevenMalk: Good communication is always essential, but it's even more crucial in a case like this.
Agy: Thank you
StevenMalk: You're welcome.
AlisonD: You sort of answered this already in your don'ts, but I write in various styles & genres (humorous, serious, picture books, novels, etc.), so it's hard to choose one manuscript to represent my body of work to an agent. In such a case, would you suggest submitting more than one manuscript, or one manuscript plus excerpts or descriptions of others?
StevenMalk: Hi AlisonD. Personally, I prefer to get query letters rather than submissions to begin with. In a case where an author writes across many generes (which can sometimes be a great thing!), I think you need to carefully select the two or three projects that you're the most excited about and that you feel best represent you, and talk about those in your query letter.
AlisonD: Thanks!
StevenMalk: If you mention more than 3 projects in a query letter, it might make you appear scattered to an agent or publisher.
StevenMalk: You're welcome.
AnneMarieP: I don't have a question right now! Thanks for being here, Steve.
StevenMalk: Hi AnneMarie -- it's my pleasure.
cassandra_: I have a market question, not an agent question, is that ok?
StevenMalk: Hi Cassandra. Sure, I'll do my best to answer it.
cassandra_: Given the current pb market, would you recommend continuing to sub pbs to slush, or waiting until the market (hopefully) turns?
StevenMalk: That's a good question.
StevenMalk: There's been a lot of talk lately about how poor the picture market is.
StevenMalk: So I'm going to spend a little time answering this one.
cassandra_: Yay! :)
Verla: (double yay... from lots of us, I'm sure!)
StevenMalk: First of all, it's important to realize that the market ALWAYS goes in cycles.
StevenMalk: When I started doing this, way back in the mid-90's (getting old)...
StevenMalk: Everyone wanted picture books, and you could hardly sell a young adult novel. YA was considered a very marginal category.
StevenMalk: Now it's practically the opposite.
StevenMalk: I would be lying if I said that the picture book market was great right now. However, there's always room for great books in any genre. A great picture book will succeed and thrive no matter what.
Verla: Thanks, Steve!
StevenMalk: Publishers are being more selective than ever about picture books at the moment, and they're really putting them under the microscope and looking to do "big" books, which can be a frustrating thing to hear.
StevenMalk: (still more to come)
Verla: oops...<taping mouth shut>
StevenMalk: But don't be discouraged. Publishers are still buying picture books, and the picture book market is going to come back strong. Also, if you look at the success of books like Don't Let the Pigeon Drive The Bus, it's obvious that people are still hungry for good picture books with a fresh approach.
StevenMalk: (almost done)
StevenMalk: I think the lesson here is that you have to really make sure that your picture books are better than ever, and you need to honestly ask yourself, "Would I spend $16.00 on this book and read it again and again?"
StevenMalk: But don't give up. There's always room for great picture books, and sometimes it really is a case of timing.
Verla: Great info, Steve. Thank you.
cassandra_: Thank you. That's nice to hear.
StevenMalk: I want to tell a quick anecdote that I think you'll find interesting and inspiring
Verla: oh, good!
StevenMalk: When I first started doing this, I had a novelty book that I loved and that I was sure publishers would love.
StevenMalk: I sent it to multiple publishers, but everyone turned it down (some of them weren't so nice about it).
StevenMalk: I found myself thinking of the book again last year, so I called the author and she sent me the dummy again.
StevenMalk: I loved it just as much as I had before, so I decided to send it out again.
StevenMalk: This time, three publishers bid on it, and the author got a three-book deal.
StevenMalk: On the basis of that one dummy.
StevenMalk: The dummy hadn't changed at all.
StevenMalk: So timing really is everything sometimes...
Verla: so Timing IS important!
Verla: Thanks!
ChloeF: What recently published YA books have you enjoyed (but not agented)?
StevenMalk: Hi Chloe...
StevenMalk: I really enjoyed HOW I LIVE NOW
StevenMalk: I thought it was amazing
ChloeF: Thank you, Steve.
Cathy: Any one thing especially you would look for in a YA submission?
StevenMalk: Hi Cathy: Voice. It's all about voice for me. I want to read a voice that I haven't come across before.
StevenMalk: Chloe --- there are others also, we can talk more about it after I get through the questions.
Cathy: Thanks--love to hear some examples of good YA voice if time later.
DebM: This great, thank you--so many of my questions are answered!! Do you mind international reply coupons? Or, is the stamp on the envelope better, easier for your agency?
StevenMalk: Hi DebM: A stamp on the envelope is much, much easier, if it's not too much trouble. Also, you can submit a query via email to smalk@writershouse.com (query only, not a submission)
DebM: thanks! you answered the other question in my head :)
Debby: How much promotion are you involved with around publication time? Any?
StevenMalk: Hi Debby. It depends on the book and the circumstances. Every book is different and requires a certain kind of promotional approach. There are times when I get very involved, and other times when the author and publisher are doing a great job, and I don't have to get as directly involved in the promotion.
Debby: Thank you
Della: Would you comment on the state of the market for easy readers and chapter books, and tell us if you represent those genres? Thank you for sharing your time with us.

StevenMalk: Della -- thanks, it's my pleasure to be here. The market for easy readers and chapter books is a tricky one...(more to come)
StevenMalk: It's very dominated by series (Junie B. Jones, Captain Underpants etc.)...
StevenMalk: So in order to really stand out, a publisher usually needs to commit to publish multiple books, otherwise your book will literally get swallowed up on the shelf...
StevenMalk: However, committing to several books makes their decision even more difficult.
StevenMalk: To answer the other part of your question, I do represent many easy readers and chapter books, including all of Cynthia Rylant's series, such as Henry & Mudge, High Rise Private Eyes, and my favorite ever, Mr. Putter & Tabby
StevenMalk: I also represent the Chet Gecko Private Eye series, The Time Warp Trio series, and others...
StevenMalk: I hope that helps.
Della: yes, thanks again
Elaina: Welcome Steve and thank you for coming tonight my question is: When accepting a Manuscript, what kind of characters do you look for in a manuscript?
StevenMalk: Hi Elaina. That's a tough question to answer. It really depends on the manuscript, but, again, I'm most drawn to a strong voice and wonderful writing. I know that's a vague answer, but nothing can take the place of an original voice for me.
Elaina: Thank You for answering Steve.
EddieK: Do you submit to Christian publishers?
StevenMalk: Hi EddieK: I don't deal frequently with Christian publishers, but I do have some experience with a couple of them...(more to come)
StevenMalk: Also, you should know that a lot of the major trade houses are starting to publish Christian books. Simon & Schuster is starting a division for Christian Books, and others are doing the same thing.
Elle: I hope this isn't too much of a repeat. Can you please talk about the type of YA fiction that you enjoy the most? Are you drawn to humor or contemporary or historical; is there anything you prefer? Or if it's easier can you mention one of your favourite titles?(this has been touched on earlier) Thank you!
StevenMalk: Hi Elle. I love so many different kinds of YA books. I'm always drawn to humor, but I've also done serious YA books and historical fiction...

StevenMalk: It just depends on the approach and the execution. If something is done well, then it's going to be amazing, no matter what the specific genre is, if that makes sense.
Elle: yes, it does thank you. I look forward to your list of favorites to come!
Genetta: Thanks for joining us tonight! I'm surprised to read that you suggest not querying more than 3 projects at a time because I've heard that writers should not even query more than one project simultaneously or the agent will wonder what's wrong with that writer - as in why they have multiple projects that they haven't been able to sell. Would a multiple query of 2 or 3 projects not cause you to also wonder?
StevenMalk: Hi Genetta. I think 3 projects is the maximum. I guess my personal preference would be for an author to query me about one specific project...
StevenMalk: However, there are exceptions, and some authors do have multiple projects that are very strong and ready to be sold...
StevenMalk: I think that what agents really don't like is just a laundry list of projects, to the point where it doesn't look like much time or thought has gone into them.
Genetta: I understand. Good news! Thanks.
Gail2: Do certain agents specialize in author/illustrators of PB's and what would you like to see in this case?
StevenMalk: Hi Gail. I think every agent has different specialties, and it's important to do your research to find out who you think would be the best person for a picture book...
StevenMalk: Again, I prefer to see a query letter first. But, if I request the work and it's a picture book that's illustrated, I'd love to see a dummy.
Goody2shoe: What stands out the most when you are reading someone's credentials? In other words, do you accept unpublished authors? Thank you for your time Steve!
Gail2: Thanks for your time!
StevenMalk: Hi Goody2shoes. I'm always partial to people named after Adam Ant songs...
Goody2shoe: LOL
NOTE: LOL = Laughing Out Loud
StevenMalk: I love working with unpublished authors. It's all about the work for me. It's nice if someone has good credentials, but what really matters is the writing and the voice.
Deetie: Steven: Is it still hard to sell literary fiction and if not, what is selling. Also, do you believe there is a crossover market from the YA end, not the adult end?
StevenMalk: Hi Deetie. I've had a lot of success with literary fiction lately. I always feel that publishers are hungry to find strong literary writers. And I do think that YA is starting to cross-over...
Graphix: Hi, Steve. This chat is fascinating. I recently signed w/an agent. Any tips on keeping her happy, or keeping pushy acquaintances away from her? Or should that not be a concern?
StevenMalk: Publishers have gotten much smarter about book jackets for YA and so a lot of adults are reading and enjoying YA books without realizing that they're YA.
StevenMalk: Hi Graphix. First of all, congratulations. Good communication is essential, so I would just be up-front with your agent and ask her what works best for her, and if she minds your acquaintances querying her.
Graphix: :) thank you
StevenMalk: You're welcome.
Guest907: +Middle-Grade Fiction- any trends here? Hot or Not?
StevenMalk: Hi Guest907 -- I think that middle-grade is in good shape right now. Young adult has been so hot lately, and I've been hearing from editors that they're looking for good, solid middle-grade.
StevenMalk: I've heard this a lot, actually.
Guest907: Great, thanks!
HeatherBur: Thanks for coming, Steve. Are there any special concerns with representing a non-U.S. author like Ken Oppel? The contract? Royalties? Who to pitch the stories to?
StevenMalk: Hi Heather. Well I've been fortunate with Ken, because he's such a phenomenal writer with such a huge following. He actually makes my job very easy...
Hols: Hi Steve. If you have requested to see a novel, based on first chapters, is it also necessary to send a synopsis?
StevenMalk: But certain foreign authors can present challenges. If the work is catered to a non-American audience, I think it's importan to make sure that your agent understands the best market for it.
HeatherBur: Thanks!
StevenMalk: Hi Holly: I think that a good synopsis is always helpful. It doesn't have to be incredibly long, but it's important to know where the story is heading.
Hols: (gulp) Thanks!
ibrk4nrds: No Question, but I just wanted to say I like Adam Ant (and chocolate) too. Thanks!

StevenMalk: Adam Ant and chocolate...two of my favorite things...
Jen: At a recent conference, it seemed like some editors were increasingly resistant to experimental fiction (e.g. blank verse, journal, IM). Since so much of this business is cyclical, have you seen that?
StevenMalk: Hi Jen: I haven't noticed that at all. I think that editors are always looking for something new, but the key is that the form can't just be a gimmick, and it has to serve the manuscript...
StevenMalk: i.e. there has to be a reason for it.
StevenMalk: Ultimately, it's goping to come down to the writing.
Jen: Good to hear. Thanks!
Jaina: Steve, I think you are a "dream agent" for many of us, and we feel if you don't represent us we will die, die, die. So could you tell us something (trivially) bad about yourself? That way, if you turn us down, we'll feel better. ;)
Verla: (I can't believe you asked Steven THAT question, Jaina! <points to dungeon door!>)
Jaina: <crawls away>
StevenMalk: Hi Jaina: Thanks, that's flattering. If you must know, it's that my bobble head collection is starting to take over my office...
JessicaSha: Just curious, how quickly do editors usually get back to you when you send them a (pb, mg, ya...I'm guessing there is variation) ms?
Jaina: Thanks, Steve. That will make me feel so much better, in the event of a tragic rejection.
StevenMalk: Seriously (although it's true about the bobble heads), I think every author looks for different things in an agent. I don't think my style works for everyone and that goes for all agents.
StevenMalk: Hi Jessica: It completely depends on what editors are involved and what the work is that I'm sending out. It can vary from 24 hours to a few weeks. It all depends. I think that editors typically get back to me very quickly, but there are some exceptions (and I try not to deal with those ones as much -- insert smiley).
jfields: If a person has been agented by a farily well known agent in the past -- how much do you want to know about that past relationship and when -- initial contact, later, never?
JessicaSha: A few weeks sounds great to me, LOL. Thanks, Steve!
StevenMalk: Hi jfields: I think it might be relevant to mention that you had a previous agent in the initial query letter, but unless the agent agrees to take you on, I don't think it's necessary to go into any detail until later.
jfields: Thank you...I never know what to say. It's like talking about old boyfriends or something.
StevenMalk: Yeah, it's a tough one. It's not essential to mention it up front if you don't want to, either. But if there's interest, you should certainly bring it up when the agent expresses interest, especially if there's a submission history.
Julia: Hi, Steve. How often do you extend revision requests to potential clients?
StevenMalk: Hi Julia -- I do it quite a bit. My assistant is an outstanding reader and editor, and she's been very helpful with this. We often both read something and combine our notes into a revision request.
Julia: Thanks!
JoanPaquet: Do you think there is an advantage to being represented by an agent who lives in your general area, or any disadvantages to working with one who lives on the other side of the country?
StevenMalk: Hi Joan -- I don't think it matters at all, unless you personally feel that you need to see your agent face-to-face a lot. I have clients all over the country, and that's never been a problem for me.
JulieOz: No question- enjoying "listening in". Thanks Steve (off to change my name to "Desperate but not serious".and ship some chocolate bobble heads! LOL)
JuliePgh: Hi, Steve. If a pb author has just received "the call" from an editor, is it too late or a bad idea to query an agent at that point?
katznjamme: Thank you, Verla and Steven, very much! Steven, what mg books have you most enjoyed in the past few years and why? Thanks in advance!
NOTE: mg = mid-grade
StevenMalk: Hi JulieP -- I don't think so. But in this case, you should email the agent and explain that there are special circumstances and that the matter is time-sensitive. You should also let the editor know as soon as possible that you may be bringing an agent into the equation...
JuliePgh: Thank you!
StevenMalk: And be careful not to agree to too much, otherwise the agent comes in with one hand tied behind his/her back.
StevenMalk: you're welcome.
StevenMalk: Hi katz: let me think about this...
StevenMalk: for some reason, all of the classics are popping into my head -- Bridge To Teribithia, From The Mixed Up Files...but of recent books (that weren't by my clients)...
StevenMalk: Joey Pigza...
StevenMalk: Everything On A Waffle...
StevenMalk: Hoot...
StevenMalk: Those are a few
kdbrazil: We're grateful you're here, Steven. How often do you sign up an author who has done the revisions you requested?
StevenMalk: Hi kd -- Thanks for having me. It's not uncommon. Last year I went through two or three revisions with an author. She did a wonderful job, the manuscript got better each time, and we ended up having a very heated auction for her novel.
kimmar: what do you consider some of the pros and cons regarding agents from small agencies or agents from large agencies... how does the size of the agency affect things, or should the rep of the agent be the only concern?
StevenMalk: Hi kimmar: I think the specific agent should really be your only concern. I do feel that with an agency like Writers House, we offer certain advantages because of our size and client list, but the most important thing is for you to connect with your agent in a meaningful way.
laserbraid: Hi Steve, it's Sarah Brannen. You said something a while back about book jackets for YAs - tricking adults into reading them - could you elaborate? It was a fascinating comment!
laserbraid: sorry, that was incoherent. I typed it in a hurry
StevenMalk: Hi Sarah: Yes, it's very interesting to me also...
StevenMalk: this might take me a minute to answer...
StevenMalk: When I was growing up, the jackets for "young adult" novels were so cheesy! They often featured a kid with feathered hair wearing acid-wash jeans, rendered in an awful water-color...
laserbraid: oh, and are the covers done in-house?
StevenMalk: No kid over 11 or 12 would want to be seen holding that book, and certainly adult steered clear of them...
StevenMalk: But I think that publishers have gotten so much smarter about really gearing their jackets for YA novels to teens, so that an 18 or 19 year old can read them and not be embarassed because they think it looks like a "children's" book...
StevenMalk: If you look at the paperback of A Northern Light, it looks like it could be an adult book...but it's also appealing to teens...
StevenMalk: I think A Great And Terrible Beauty has a great jacket, and it's the same thing...
joined channel #Kidlit
lesmuir: Hi Steve, thanks for coming! Are you ever so overburdened with unread backlog that even a strong query letter is turned down in order for you to play catch up?
laserbraid: Thanks - that's very interesting!
*** StevenMalk88 has joined channel #Kidlit
StevenMalk: I'm back...
Verla: did we lose you? we did!
Verla: this was the last thing we saw from you, Steve... StevenMalk: I think A Great And Terrible Beauty has a great jacket, and it's the same thing...
StevenMalk: I think Hoot is another great example
laserbraid: While you were gone, I said, Thanks, that's very interesting!
StevenMalk: The Perks Of Being A Wallflower
StevenMalk: But, yes, almost all jackets are done in-house, with very few exceptions
laserbraid: Ah, thanks again.
lesmuir: Hi Steve, thanks for coming! Are you ever so overburdened with unread backlog that even a strong query letter is turned down in order for you to play catch up?
StevenMalk: No problem.
Verla: laserbraid: Thanks - that's very interesting!
StevenMalk: Hi les -- No, every single query gets read very carefully, and if it's great and it's something we can't resist, we'll ask to see it.
lesmuir: thanks, steve.
StevenMalk: you're welcome.
Verla: Steve... do you ever represent adult books?
StevenMalk: Verla, it's rare these days, but not completely unheard of.
Verla: thanks, Steven
LindaUrban: Hi Steve. Could you share with us why you do what you do? What do you love best? The deals? The stories? The swell parties?
StevenMalk: Hi Linda. I really can't imagine doing anything else and I feel like I have the best job in the world. I love it. I love working with amazing writers and artists. In some cases, people I grew up admiring and meeting...
StevenMalk: I love all of it. I really love the relationships with the writers and artists, and helping them to strategize and manage their careers. It's an honor to know that I'm a small part of helping someone so talented and that I'm helping to put great work out there...
StevenMalk: I do love the deals and the stories. And, yes, the parties are fun!
LightBrown: Hi, Steve. I'm late, and I'm guessing you've already talked about the difficulties of placing picture books. I'm wondering if a writer has some picture books ms finished that might be a good fit for you, but is also working on a novel, should the writer wait to query when they have the novel finished?
Verla: (he did talk about pb's earlier, light. But he didn't answer that question. Good question!)
StevenMalk: Hi Light Brown...
StevenMalk: I wouldn't mind hearing about one picture book and a novel in the same query letter.
LisaS: Hi Steven and thx for your time. What's your process when an author comes to you with an offer or contract in hand? Do you ask to see a body of work to see if it will be a good match long-term? I guess I'm wondering if you're more likely to say yes to an author with a contract in hand, or not necessarily? :)
LisaAlbert: Since you spoke about auctions earlier, I assume you simultaneously submit to editors. Talk about the auction process, please. (So I know what to expect :) )
StevenMalk: Hi LisaS: It's exciting when an author has a contract in hand, but I still have to love the manuscript just as much. I would be doing the author and myself a disservice if I represented something that I didn't love, just to make a deal.
StevenMalk: So I'd need to read the manuscript to make sure that it was something that I felt passionately about.
LisaS: I understand - thanks!
StevenMalk: Hi LisaAlbert: Every situation is different. Sometimes I do submit exclusively, but often I will submit to multiple publishers. It's very exciting when you have more than one publisher interested, and in that case, you can have an auction...
StevenMalk: Auctions are great, but it's essential to keep in mind that the most important thing is finding the right fit -- the best house and editor for you, and that doesn't always equal the most money in every case.
LisaAlbert: I agree. Thanks a bunch!
Lynn: Thanks for indulging us tonight, Steve. Does your answer about chapter books being in series apply to non-fiction as well?
StevenMalk: Hi Lynn -- Not necessarily. Non-fiction is different. But often non-fiction chapter books will fit into a larger program that a publisher might have. So, you don't necessarily have to start a whole series, as it could fill a slot in a publisher pre-existing chapter book line.
Lynn: Thanks. That's exactly what I wanted to hear. :)
StevenMalk: Good!
ponytailmo: You seem to represent or be interested in several genres, which ones don't you represent?
StevenMalk: Hi ponytailmom -- I don't represent many adult projects, but I do work with almost genres within the realm of children's books, middle-grade, and YA.
owlsquill: If another Writer's House agent rejects a ms. is it rejected automatically by you, too, or do you operate independently? Thanks in advance.
StevenMalk: Hi owlsquill -- I think it's fine to resubmit to another agent at Writers House, just never submit to us simultaneously.
owlsquill: Okay, thnaks.
Ruth: Hi, Steve! Thanks for hanging in there for those of us who are "alpha-order-challenged!" If a book was sold to a publisher without an agent, but it has potential as an animated movie or series, would an agent ever take it on at that stage to market the rights? If not, how much can the publisher be counted on to do it? Are there agents that specialize in this?
NOTE: Everyone was allowed to ask their questions in the order of their alphabetic chat names....
Ruth: BTW, can I interest you in a complete set of vintage 'NSYNC bobbleheads? Just kidding, my daughter would kill me!
StevenMalk: Hi Ruth. Well, first of all, you need to know if the publisher or author retained the dramatic rights. If the rights are with the publisher, then an agent wouldn't be allowed to step in and sell these rights...
Ruth: A-ha!
Ruth: Then, is this something you should consider before signing the contract? I guess that's what agents are for...!
StevenMalk: No 'NSYNC for me, but what I wouldn't do for a John Cougar Mellencamp bobble-head, circa Authority Song
Ruth: Can't help ya there!
StevenMalk: Ruth -- Yes, it's very important that you completely understand your contract and what rights you are or aren't giving away
rhw: I’m trying! No question; thanks!
Verla: (That might have been a bad thing to say, Steve. You could get someone with one blackmailing you to take their manuscript or you'll never see that bobble-head alive again...)
StevenMalk: that's a good point.
StevenMalk: I'd also like a Larry Hagman bobble-head (I Dream Of Jeannie Or Dallas would do)
SarahEliza: How much sway does the marketing department hold over whether a publisher accepts a manuscript?
StevenMalk: Hi SarahElizabeth -- The marketing departments play a fairly large role in those decisions these days, especially at the larger houses.
SarahEliza: Thanks for being here, Steve. I appreciate your williness to make yourself accessible.
StevenMalk: No problem, it's my pleasure.
sadler4kid: IHi Steve! If you received a personal rejection from an agent, would you advise to resubmit to him/her again at a later time or just send chocolates? :) And if you were to receive an e-query for a PB as an wrtier/illustrator, would you consider it convenient to be provided a link to the dummy art and spreads for that particular project. Also, are you more apt to rep someone who writes both YA and PB (great voice considered)?
StevenMalk: Sadler...
StevenMalk: You're welcome to re-submit, but I suggest doing it in the form of a query letter, rather than actually sending in the project again...
sadler4kid: Sounds good.
StevenMalk: I don't think I'm necessarily more likely to take on someone who writes novels and picture books. Only certain people can do both very well. Ultimately, it just comes down to the writing and the voice. I know I keep hammering on that, but it's so true.
sadler4kid: So true, but it has to be.
Shelly: Hi Steven. Thanks for being here. I'm wondering if you have any favorite publishers (and editors), and if so, can you please tell us who they are (say, top three...) and what makes them your favorite great to work with?
StevenMalk: Hi Shelly. I'm going to have to pull a Mark McGwire and refuse to answer that, or I could make some editors very angry!
StevenMalk: However...
Shelly: Can I ask something different then?
StevenMalk: I will say that my favorite editors are people who have great taste, are efficient, responsive, and great about nurturing talent...
Verla: (yes, shelly you can)
StevenMalk: Also, it's important to have an editor who's willing to really champion your book in-house...
Shelly: What's the highest advance you've ever gotten for an unpublished pb author? (Hope you can answer this one...I'm not asking for names, btw)
StevenMalk: If you reserach some of my books and look in the acknowledgements, you'll get a sense of certain editors I frequently work with...
Shelly: good suggestions, Steven
StevenMalk: Shelly -- I promise that I'm not trying to be difficult, but I really can't answer that. I don't like to talk numbers.
Sue: How hands-on are you with your authors? Do you get into editing, revising, etc.? Thank you to you and Verla!
Shelly: LOL, okay, I'll just go away...
Verla: (you really came up with some toughie questions, shelly! LOL)
StevenMalk: Sorry! But advances are a very personal thing between an agent and author.
Shelly: Wait! How about this question? DO you read the online writer's message boards?
Verla: (Like my message board, Steve?)
StevenMalk: Hi Sue -- Yes, we definitely get into editing and revising, depending on the project. I really enjoy it.
StevenMalk: Shelly -- the third question's a charm...
Shelly: PHEW!
Sue: Thank you!
StevenMalk: I don't spend a lot of time reading message boards (unless they're about sports, that's another matter...), but sometimes one of my clients will point something out to me, and I'll take a look.
Shelly: Thanks, Steven!
StevenMalk: No problem -- glad that I could answer a question for you.
Verla: tgseale got kicked out and can't get back in, Steve. She had this question for you: Do you read all your own mail?
StevenMalk: I do read all of my own mail. As I said before, I think that my assistant is an excellent reader with a great eye, and so we rely on each other a lot, and we'll sometime catch something that the other one may have missed, but we both look at every piece of mail that comes through.
Zebra: What should a person do if they've received response from a second choice agent but still haven't heard from the first choice agent. Is there a way to nudge to a quicker read?
StevenMalk: Hi Zebra -- I think it would be appropriate to send a polite note to the first agent letting them know that you currently have interest from another agent, and you're just informing them...
StevenMalk: I would let them know again if you're about to sign with someone else...
StevenMalk: That's how I'd handle it with two publishers.
Zebra: THANK YOU!
StevenMalk: you're welcome.
Guest639: Hi Steven - Sherry here. Please talk to me about ya fantasy/adventure novels. Is there a market? What are the "no more of that" and "yes some of that" feelings floating around with publishers. Because of Harry Potter's impact - I hear such mixed things.
StevenMalk: Hi Sherry. Honestly, I try not to pay attention to trends like that, because I always feel like a great manuscript will succeed independent of what's going on in the market...
Guest639: That's great to hear. Thank you.
StevenMalk: That said, I think that people like JK Rowling, Jonathan Stroud etc. have raised the bar very high...
StevenMalk: so if you're writing in that specific genre of commercial fantasy, your manuscript is going to have to be that much better
Guest639: Raised it to an "adult as well" level, it seems.
StevenMalk: Yes, they've shown that a great manuscript will completely transcend genre.
StevenMalk: Which is a good thing!
Verla: Kay got bumped out and didn't get to ask her question, Steve....
Guest639: A great thing.
StevenMalk: No problem, go ahead, Kay...
Verla: and I just bumped my keyboard and erased it... cass...would you please it post it for Kay?
Verla: she can't get back in, Steve. she emailed cass with it.
cassandra_: Sure!
StevenMalk: ok...
cassandra_: What kind of subs make you cringe? (I'm paraphrasing, I think.)
StevenMalk: I would say that submissions where people have completely mispelled my name or just clearly failed to do their homework or research...
StevenMalk: Also, I would say that I turn off to people claiming to be the next JK Rowling or Dr. Seuss. Just be yourself!
cassandra_: Thanks, Steve. :)
Verla: Did we get everyone?
kimmar: steve...
StevenMalk: yes?
kimmar: I spent the weekend with a client of yours who said you were the "perfect" match for her :)
Verla: (everyone can talk now... just don't do it all at once!
StevenMalk: Ah, that's great to hear!
Gail2: I already asked but noticed one big question we all missed. And your fav PB's are...
Ruth: I don't think you addressed the second part of my earlier question:
Shelly: i think they've all gone to ebay to find steven his bobbleheads :)
Verla: Thank you SO much Steve! We really appreciate the time you gave us here tonight and your patience with all of our questions.
Cathy: Steve, how involved do you stay in an ongoing writer/editor relationship? Do you "check in", etc?
Verla: Do you realize we had 55 people in here?
Verla: All at once? (And that doesn't count the ones that kept getting dumped off and on.)
Ruth: How much can my publisher be expected to market the dramatic rights (I looked it up, they have the rights...)
Goody2shoe: Is that a record Verla?
Verla: Yep, Goody. The most we've EVER had at once in here.
Della: Steve, If you have time to comment....Do you see too many mgs and/or chapter books in which the mc just moved to a new town, or is starting the first day of school, in other words, is there room for one more book with one of these problems?
StevenMalk: Cathy -- That's a good question. Each relationship is different. I try not to step in the middle of that very special relationship, but I think that a good agent can actually facilitate it. So I do stay involved and check in quite often, in general.
ChloeF: Getting back to an earlier question: What recently published YA books have you enjoyed? (You already mentioned How I Live Now.)
StevenMalk: Ruth -- every publisher is different. some are better at selling dramatic rights than others. if you think they're doing a poor job, you might want to ask them what they've done with the rights, and attempt to have them reverted to you.
ErinShakes: My baby LOVES bobble heads...they always make him laugh...maybe I should start collecting them for him!
Verla: you were all WONDERFUL, folks. GREAT questions... and FABULOUS answers, Steve. Thank you!
StevenMalk: Della -- I think so, if the approach is fresh and there's a new spin.
Jaina: Night, everyone. Thanks for being such a sport, Steve.
Ruth: Great - just want to know what my options are. Thank you so much!
AlisonD: Yes, thanks so much, Steve!
owlsquill: Your typing fingers must be sore! Thanks, Steven!
Hols: It was very excellent. (applause)
Goody2shoe: Thanks again Steven!
StevenMalk: Chloe, I'm getting there...
Shelly: night, jaina!
StevenMalk: Thanks everyone
ChloeF: Thanks.
LindaUrban: Night Steve. Night all!
lesmuir: Goodnight, Steve. Thanks!
ibrk4nrds: good night Mr Malk, thanks!
Cathy: Thanks, Steve--great answers!
StevenMalk: It was my pleasure, I really appreciate all of you coming and asking such good questions
_____OFFICIAL END OF WORKSHOP------
_____INFORMAL CHAT WITH STEVEN BEGINS-------
AnneMarieP: This was a great workshop!
sadler4kid: Thanks Steven!
ErinShakes: It was great!
*** Signoff: Jaina (Quit: )
Gail2: It was a pleasure!
katznjamme: do you tihnk you'll reach a point when you'll not be able to take on any more clients?
LisaAlbert: awesome talk, Steven
LindaUrban: Thanks Verla.
Goody2shoe: and a BIG Thank you to Verla
Zebra: Steve, Do you prefer snail mail queries to email?
LisaAlbert: will you be in LA for SCBWI?
Della: And thank you, too, Verla!!1
Shelly: sorry for asking such unanswerable questions, steven
Verla waves at everyone...
katznjamme: thank you both very much, steven and verla!
AlisonD: Yes, Verla, thanks to you, too!
Della: You rebel, you, Shelly!
LightBrown: Thanks so much Steve! Verla, I hope you post the transcript soon so I can read all the answers to the questions I really wanted to ask!
Torty: Yes, thanks verla. What a skill with all that +v business timed so perfectly!
NOTE: +v is what was used to give people “voice” when it was their turn to post their question
SarahEliza: Steve -- If YOU could ask US one question, what would it be? :)
Cathy: Thanks for the chat, Verla.
Verla: (if you only knew what I had to go through over here to keep track of who had posted and who hadn't and who came in and who left and....)
Ruth: We're like the party guests that just won't leave at the end of the evening...
HeatherBur: You made it look easy, Verla
Hols: I hope you had a good time. I couldn't get away. Maybe next year...
ErinShakes: I'm always the last to leave a party
ErinShakes: Hopefully!
AnneMarieP: Erin's dancing on the table!
Ruth: You can't see the lampshade on my head..
LisaAlbert: Verla, you're a Godess
ErinShakes: Yeah, it was great. I had to take my baby, but he was very good.
Hols: You do a great job, Verla. Thank heavens you keep things moving.
JessicaSha: Yes, thanks so much Verla!
sadler4kid: WOW! Verla, this was absolutely fun.
Torty: Hey, it's still afternoon here. Party's just beginning!
AnneMarieP: Verla is the BEST!
Verla: yeah, right, lisa
AnneMarieP: Torty, it's Waaaaaay past my bedtime.
does: oops.
cassandra_: I've got champagne here -honest!
LisaAlbert: you are
AnneMarieP: Pass it round, Cass.
JessicaSha: Steve, you're the best! Thanks for being here!
Amishka: Steven they say an agent/author relationship is like a marriage so how many people are you married to?
Torty: that late, am!
Della: lol
StevenMalk: Chloe, you there...?
ErinShakespear does a big of clogging on the table
HeatherBur: lol
cassandra_: LOL -AM
Shelly: LOL, ami
ChloeF: Yes, I am.
AnneMarieP: Good question, Mish.
cassandra_: ROFLOL -Mish!!
NOTE: ROFLOL = rolling on the floor laughing out loud
StevenMalk: I've enjoyed David Levithan's books
Della: ok, let's be quiet a minute
Hols: shhh
Amishka: I've been very good tonight, I just had to ask...
ErinShakes: (why are we being quiet?)
Goody2shoe: zzzzzzzzzzzzzz
Ruth: So, Steve, was it really in November 1973 you lost your first tooth?
Elle: Mr Malk is listing YA books
cassandra_: (He's answering Chloe's question)
Zebra: Shhhh......
Hols: (because I'm obedient)
StevenMalk: Although some people don't consider it a young adult book, I think that The Curious Incident Of the Dog In the Night-Time was an amazing YA novel
Amishka: It's considered YA here and in the UK
JulieOz: I was good too... can I sleep-over here?
Goody2shoe: *taking notes*
AlisonD: OK, Julie, now I dare you...
^GailM1: I liked The Dog in the Nigh-time, Steven.
StevenMalk: I also think that Summer Blonde by Adrian Tomine is absolutely incredible. It's a series of short stories in graphic novel format.
sadler4kid: Will you be attending the SCBWI LA Conference?
AnneMarieP: That was a terrific book (Curious Incident)
StevenMalk: Along those same lines, Blankets by Craig Thompson blew my mind.
AnneMarieP: Those bathroom renovations can be tricky, Della.
StevenMalk: Yes, I'm sure that I'll be doing critiques there.
Verla: I got dumped!
HeatherBur: Verla! You got yourself kicked out!
Verla: I accidentally flooded the room
Della: lol AM WB, Verla
NOTE: WB = welcome back
Amishka: Steven they say an agent/author relationship is like a marriage so how many people are you married to?
StevenMalk: Chloe -- I also liked Be More Chill by Ned Vizinni
Shelly: steven, do you get to choose which manuscript you'd like to critique? do you know how they assign them?
ChloeF: That was a GREAT book!
StevenMalk: Amishka, I'm not sure of the absolute exact number, but I don't think as many as most people think!
HeatherBur: Oooo, I like Gail's sign-off!
NOTE: Gail’s signoff said something like “May all your royalty checks have comma’s...”
StevenMalk: Shelly -- No, they assign the manuscripts to us
AlisonD: Not as many as want to be married to him, either, mish! ;)
Amishka: good
Verla: and If you could ask us one question, Steve, what would it be? (I have to know the answer to that question!)
Verla: oh, someone also asked if you prefer snail mail or email queries?
Goody2shoe: I would settle for a bunch of zeros
Zebra: Yes I did!
Gail2: How about favorite PB"s?
Graphix: Gail M's sign off is funny
AlisonD: just zeros, goody2shoes? you need at least one number in front!
StevenMalk: I'd probably have more than just one question to ask. I'm always fascinated to find out about what different writers are reading, and what inspires them, in terms of books, movies, music, etc.
Hols: Okay, here's a question I think we could all use...Of your successful clients, Steve, do you see any similarities in their writing habits that seem to be helpful (for example, I know Sonya Sones walks, while keeping a journal daily)
Goody2shoe: Zero isn't a number?
StevenMalk: Snail mail or email are both fine.
AlisonD: I mean number other than zero! Otherwise you just get zero.
Amishka: I've been reading a lot of freeverse lately
Verla: thanks, Steve
Torty: They are all actually numerals representative of a number
LisaAlbert: I just finished A Great and Terrible Beauty. Fascinating read by a funny funny woman!
Goody2shoe: Ok, any number will do
Verla: well, that's probably because you've also been writing that, ami
AnneMarieP: Have you checked out her blog, Lisa?
Goody2shoe: followed by a bunch of zeros
Graphix: lol
LisaAlbert: I love books that make the reader think
Verla: This was truly the BEST workshop ever, Steve. Thank you!
Amishka: right Verla,
StevenMalk: Favorite picture books (again, not invluding my clients) -- anything by Barbara Cooney, The Carrot Seed, Flat Stanley, Julius, Baby Of The World, Good Night Gorilla, etc.
AlisonD: I read Sonya Sones' "hideous" book while standing in the library aisle yesterday!
Shelly: it was a great workshop...thanks verla and steven
LisaAlbert: No, I haven't, AM. Meet her in LA though. I'll check it out.
cassandra_: Definitely, Verla. -the best I've attended, for sure! Thank you, Steve and Verla!
StevenMalk: Hols -- I think that a great critique group is very helpful. And just a lot of hard work and perserverance.
Graphix: finding the right crit group can be tough
Verla: well, you outdid yourself tonight, Steve. Two and half hours!!!!!
ErinShakes: You know what picture book I love? The Happy Hocky Family...I LOVE that.
StevenMalk: yes, it's important to find the right one, as opposed to just any one
Zebra: If a person is unpub'd is there anything that is helpful to mention at all in the query letter. Like past personal rejections or revision requests from Editors?
AnneMarieP: But the search is so worth it in the end, Graphix.
Hols: I love Piggie Pie.
HeatherBur: Yes, TONS of info that wasn't in Steven's other chat transcripts. (Info I wish I had two weeks ago)
StevenMalk: Yes, the happy hocky family is amazing!
LisaAlbert: Steve, what about a book with a hot topic plot, would you put it on the fast track?
Shelly: i happen to know that anne marie is in a GREAT crit group :)
StevenMalk: zabra -- yes, that can be helpful
cassandra_: My crit group is my lifeline, Graphix. A good one is a gift.
Graphix: Anne- yes :)
ErinShakes: I make visitors read The Happy Hocky Family...I've noticed some people don't think it's as funny as I do... I usually don't invite them back.
StevenMalk: lisa -- not sure that i understand the question
Hols: I agree Cass.
AnneMarieP: LOL, Cass.
Amishka: Lisa that topic is HOT
Amishka: right now
Amishka: I wish it would make HarperCollins put out my book faster
AnneMarieP: Do you X out the days on the calendar, Mish?
AnneMarieP: :)
HeatherBur: Maybe make the dates larger, Verla, so people know which one is most recent.
LisaAlbert: If a book landed in your hands and the plot dealt with a subject that's in 'the news' right now, would you send it out faster than others.
Shelly: steven, would it ever be okay to resubmit a manuscript to you, after revision, even if you haven't asked to see it again?
cassandra_: I just read Persepolis and loved it. I'm looking forward to this influx of upcoming Graphic Novels.
StevenMalk: Lisa -- No, I don't like to be influenced by trends.
Graphix: <- has a graphic novel under scrutiny at S&S
cassandra_: What was the one mentioned above -summer something (anyone?)
Torty: blonde
cassandra_: thanks, torty.
StevenMalk: Shelly -- i would advise querying me first, and probably only if it's undergone fairly substantial revisions.
StevenMalk: I'm a huge fan of graphic novels
Shelly: okay, thanks
LisaAlbert: I like that answer, Steve. I wrote it before it was a hot topic. I respect that a lot.
AnneMarieP: Steve, do graphic novel manuscripts take the same format as a comic book script?
Graphix: me too, fan of GNs done well
StevenMalk: I would say that's one thing I'm definitely looking for.
Graphix: :)
Zebra: Do you think books that feature a non-white MC have any edge in the marketplace?
Amishka: Lisa that topic is always going to be a sticky one anyhow
Torty: good night all
Torty: thanks steve and verla
AnneMarieP: Nght Torty.
Graphix: night Tort!
Goody2shoe: Nite Torty
Shelly: night torty
AlisonD: good night
HeatherBur: Bye, Torty
StevenMalk: AnneMarie -- yes, pretty much. for great graphic novelists, look up Daniel Clowes, Adrian Tomine, Craig Thompson
LisaAlbert: yes, Alma. Assisted suicide it not a light subject.
cassandra_: AM , I'm just finishing..oh, what's it called... a bookd on comics by Scott McCloud
StevenMalk: Zebra -- perhaps, but again, it all comes down to the writing.
AnneMarieP: I will. A friend of mine's husband writes for DC Comics so I've seen his scripts, but I have never seen a GN ms so wasn't sure.
HeatherBur: Cass, you mean a book on writing comics?
cassandra_: It's a great overview of comics and I imagine it would be relevant to graphic novels
Ruth: Steve, any books on writing you'd recommend?
cassandra_: Yes -HB -well, it's more on understanding what they are made of
cassandra_: it's really fascinating
Hols: I'm excited to read some of these titles I haven't heard of.
AnneMarieP: I bet most people don't realize the mss have as much description as they do.
StevenMalk: Ruth -- Bird By Bird
cassandra_: The breakdown of action, images, etc.
SarahEliza: Thanks everyone -- especially Verla & Steve. It's time for bed in my time zone...
AnneMarieP: I certainly didn't. I thought that was for the artist to decide.
Ruth: Love that one!
Graphix: Cass, that's a great book by McCloud
Sue: Steven, do you know if a writer can use song lyrics in their book? I'm thinking no because of copyright laws but that maybe titles are okay?
JessicaSha: Love Bird by Bird
Graphix: Understanding Comics
LisaAlbert: Alma, my fear is people will think I wrote it because it's in the news now. And you know that is not the case.
StevenMalk: And obviously the Children's Writer's & Illustrator's Market
cassandra_: Yes- that's it. Thanks, Graphix!
Graphix: :)
Amishka: True Lisa,
StevenMalk: Sue -- I think you're right, although it depends how much you're using.
Sue: You mean like how many words can be quoted?
Zebra: Steve, how many new authors do you take on in a year?
Verla: welcome back dino
Amishka: I sold mine before this all started but it won't come out for two years so they'll probably think that as well
StevenMalk: Zebra -- it depends. some years it might be 1 or 2 and some years it might be 8.
cassandra_: LisaA, I don't think there would be anything wrong with people thinking it came from current events
cassandra_: Kids won't care
Zebra: WoW! So you're really looking for that diamond in the rough! What percent of time do you spend looking for new talent then?
Sue: I mean how many words are in the quote.
StevenMalk: I love finding new writers.
Hols: So, there are two kinds of people in this world. Those who like Napoleon Dynamite, and those who didn't. Which are you, Steve? (Sorry, I had to ask.)
LisaAlbert: true Cass.
StevenMalk: there's nothing moe exciting.
Ruth: Gosh...
StevenMalk: I saw Napoleon Dynamite 3 times in the theatre.
Hols: Right on. lol.
AnneMarieP: Guess that answers your question, Hols!
StevenMalk: although it hasn't grown on me as well since...
Graphix: LOL Hols
Zebra: Steve, it must be like a gambling addiction or something. A lot of effort for that big jackpot.
Verla: and then there are those people who don't have a clue who Napoleon Dynamite IS, Hols..so they don't like OR dislike him
Ruth: Earlier this eveing, my daughter came into my office and asked if I was "chatting with babes online."
LisaAlbert: A Harcourt editor has asked to see it and she read the inital draft over a year ago. I shouldn't care. Thanks.
ErinShakes: OH, I have not seen Napoleon Dynamite! I really need to!
Ruth: I guess I was!
StevenMalk: I thought the best movie of last year was Before Sunrise, by far
StevenMalk: I thought it was just amazing
Sue: Absolutely!
Graphix: Erin -- see it.
ErinShakes: How about Johnny English? I love that movie
Verla: oh. It's a movie? No wonder I didn't know "who" it was
owlsquill: I loved Before Sunset!
Sue: Did you see Before Sunset?
Hols: Sorry Verla. You ought to check it out.
StevenMalk: Yes, I loved Before Sunset also
ErinShakes: I need to Graphix...I live in a very small town though...so we'll see.
StevenMalk: But I thought Before Sunset was even better
Goody2shoe: LOL
owlsquill: Haven't seen that. But I want to.
AlisonD: What if I thought Napoleon Dynamite was okay but not great, hols?
ErinShakes: I haven't even heard of that one!
Zebra: Steve, a too shy writer friend wanted to know if you if you had monkey or frogs on your PJs. Don't ask.
Hols: Then you're the "other" kind of person.
StevenMalk: Time for me to go get some dinner. A vegetarian burrito at Whole Foods is calling
Graphix: lol
StevenMalk: Zebra -- that's an odd one!
Graphix: Ok-- Thanks, Steve!
Sue: Thank you again, Steven.
ErinShakes: Thanks STeve!
StevenMalk: Thanks everyone.
Graphix: g'night!
AlisonD: Enjoy your burrito!
AnneMarieP: Thank you so much for all your insights, Steve!
Cathy: Fantastic chat. Thanks, all. Night.
LisaAlbert: I'd say!
Ruth: Sounds good - thanks again!
Hols: Thanks for your time, Steve.
ChloeF: Thank you Steve.
Zebra: I know!!! Take care, thanks for everything!
owlsquill: Wow. Great chat.
JessicaSha: Yes, thanks again Steve!!!
HeatherBur: Thanks, Steve!
cassandra_: Thanks, Steve!
StevenMalk: Thanks for the questions and to Verla and the moderators. I really appreciate it.
ErinShakes: I think some ice cream is calling me...hmmmm...
LisaAlbert: Thanks, Steve!
Amishka: Night Steve
Shelly: thanks for joining us, steve
Amishka: Thanks for coming
Gail2: Thanks Steve and Verla...good night!

StevenMalk: Take care everyone!
*** Signoff: StevenMalk
Graphix: night Steven!
cassandra_: Wow, Verla, he was great!!!!!
Graphix: yep. Thank you, Verla :)
Goody2shoe: That was os much fun!!!
Shelly: he stayed almost three hours!
ErinShakes: He seems very nice..very personable
LisaAlbert: Do the workshops usually run this long?
Amishka: No Lisa
Amishka: this was a very long one
Shelly: thanks again for the workshop, Verla!
JessicaSha: Night everyone! I'll try to come chat more often. This was great!
again!
Verla: NEVER, lisa
ShirleyH: Night, all. Verla, thanks for setting this up.
Verla: normally they are only one hour
Sue: And thank you, Verla!
Verla: but Steve always brings in SO many people, and he stays until EVERYONE has gotten to ask a question He's great!
AlisonD: ah!
Graphix: Verla -- very impressive
AlisonD: You can imagine how big his slush pile must be if this many people show up to chat
Hols: lol
cassandra_: night everyone -great chat!
*** Verla has set the topic on channel #Kidlit to Writers & Illustrators of Children's Literature Meet Here Nightly - Welcome!